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The Cabinet of animals, Giulio Mozzi




Segnalato quasi con timidezza dal proprio sito, ho preso questo piccolo volumetto di Giulio Mozzi,
edito da duepuntiedizioni, La stanza degli animali.

Si legge d’un fiato, contando su un numero sparuto di pagine. La mia lettura è avvenuta sui comodi divani di uno studio dentistico mentre ero in dolce attesa del mio turno. E mai attesa fu più gradita.
La scrittura di Mozzi ha del terapeutico. Il ritmo della sua narrazione a volte ossessivo, a volte immediato e spedito come il taglio di un bisturi, permette di let you take your hand to get a free ride coaster of his imagination.

The work is moving around a drama, where, however, the effect of a shocking event almost impossible to hear. Is left in the background, to carpet, reducing it almost shameful to pretext. From the work of excavation is outside everything else, the past of a father,
his relationship with his son who narrates, and the relationship with the places, things.

It is from these "tangents" that is the best out of hubs, from going to investigate even the simple objects, with their burden, not said, but bearing emotions, feelings, conflicts, observed with a gap aseptic where light (this seems to be the underlying purpose) the infinite variables that are somewhat to rebel during a foreseeable and predictable narrative.

The surprise, in other words. The reconstruction of a fact from a different way to relate the parts that compose it, and giving life, the magic here, another way of telling. Please note, not a pure exercise in style and solipsistic. Here we are in new territory, leaving behind the complacency of the investigator of the first hour, Hubs gives the reader an opportunity, scoring his style with another way of telling today in Italy.

Here, if ever, regardless of the assessment were to text sé, questo piccolo volumetto possiede la grazia di lasciarsi leggere con un’attenzione inversamente proporzionale al numero delle sue pagine, lasciandoti, alla fine, con uno strano retrogusto.La capacità di spostare il tuo sguardo altrove, come nemmeno un navigatore satellitare saprebbe fare, in una giornata di nebbia. Dando al lettore la possibilità di dirsi appagato, lontano da effetti speciali e fuochi d’artificio, per una storia raccontata con un tono di voce quasi sussurrato ma deciso e impietoso.

C’è un autore che me lo ricorda, in modo prepotente, quando Mozzi scrive cosi ed è Williams Carlos William. (in particolare il suo Patterson). Non suoni irriverente nei confronti di entrambi, ma sono tante le assonanze, di ritmo, di poesia, di modo di guardare, con questa meraviglia trattenuta e controllata, e che lascia parlare le cose, affinando l’esercizio percettivo dei sensi, concedendo, per tutto il tempo della lettura, piccoli attimi eterni di felicità.

Da leggere.

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Inception


Cosa c’è da dire su Inception ?

Niente. Andate a vederlo. Anche senza aver calato prima lsd.
Un gioco. Mind game, ecco. E infondo, l’avverarsi (per la sola durata della pellicola) di un miraggio, quello della condivisione dei sogni.

Quante volte, quante volte, al risveglio o anche durante il giorno, al semplice sopravvenire some detail which functions as an anchor, we come to the surface, unexpected, pieces of dreams, even before that with technique and perceived loyalty refer us their delicious flavor.

Personally I am attracted by the state of half awake, usually post-prandial, during which, he went to understand why, the brain automatically renews the threads of broken dreams the night before, allowing, as was a consummate writer, to resume plot.

The film avoids this step if you shared is otherwise incomprehensible. While you paste instead of the chair, making fun of units such as time, distance, Isometric. The idea

is nice, but wanting to avoid any spoilers, I can only suggest to go see it with a bit of suspension of disbelief. It 's a tale, well told, rhythm, and if conditions in mid-sobriety, it also has the advantage to be understandable to anyone on average.

bad that goes in a forthcoming evening gray and wet and cold, plugged into the house, the fire in the fireplace, in a wide glass of Calvados brandy, sunk in an armchair, is likely to be revised, with the proper concentration (seen in a multiplex that of his own, seemed designed by the architect who oversaw the scenes).

Bello.

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They are all well

De Niro has a mask that you punch. Based on the novel, but some say it is a remake of an eponymous film by Tornatore, tonight I saw they're all good.
If it were not for the unfailing good song in the finale (of Paul McCartney), and run the credits, I noticed that the small audience that attended the screening, contrary to what usually happens, he lingered a while 'before move your ass from the chair. (It was raining outside listlessly).

They are all well, is a well-mounted film, agile, which inevitably affects the relationship with you for better or worse each of us has had (or had) with his father.
It 's a ontheroad atypical. Where to move, after the death of his wife, è un anziano padre in pensione, in vena di “sorprese” per i propri quattro figli (che tema, la vecchiaia, l’incedere degli anni, l’avvicinarsi della morte, da Estwood di Gran Torino, al Nicholson di A proposito di Smitdt, sarà che la popolazione invecchia e con essa anche questi grandi mostri sacri sui quali sembrano attagliarsi questi soggetti).

E’ Americano, si. Ma non si fa fatica a ravvisarne le dinamiche anche nella nostra (tutta speciale) famiglia italiana. Ci sono i cavi del telefono. C’è il caucciù col quale li ha ricoperti “per chilometri e chilometri” durante l’attività lavorativa, questo anziano padre di colpo, alla morte della moglie, in board, anxious to give himself a role in starting the relationship with their children. These cables carry the voices, and are the views of the protagonist, during his long train journeys to trick unsuspecting passengers to share the memories with him ... (at times reminded me of a poem by Carver, one on a phone booth, There 's a woman he observes from his mime tries to interpret the quality of news just received, there is the indifference of the medium, able to carry, together with the less good news.

Bello , sometimes moving, and masterfully played by De Niro as a few other times inspired. Despite the years, the ability to make solitude and stoic emotion before the result of his efforts, and the obsession of the same question, addressed to all the children "are you happy?".

Go and see.

ARE ALL WELL (2010)
directed by Kirk Jones

with Robert De Niro , Drew Barrymore, Kate Beckinsale , Sam Rockwell, Katherine Moennig , Lucian Maisel , Ben Schwartz, DeBarge Sanyal

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There the hand of Steve Bishop? Technical tests

from short news items (which I love) Site corriere.it (also re-launched the radio) the arrest for a trivial control of a young vietnamnita, (that you Pham Nam), which circulated a frozen carcass Tiger in the trunk.

Steve Bishop, a brilliant conductor Procasma (known locally on the outskirts of Rome, famous for the extravagance of host amphibians, reptiles and other prohibited animal form) has been clarified. "I reject with contempt any and every approach to the fact: as we all know the main requirement of our friends the animals housed in the premises, is that they are alive."

reject any inference in this regard.
The fact remains that the young Vietnamese thirty-nine, was apparently found in his pocket a map of Rome, with a mysterious circle made with a pen around the area where the local stresses.

"Investigations are continuing," so said a spokesman for the special repressing the illegal import of exotic animals.

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regime







People used to say "put the muzzle "...( here for further explanations).

do not agree on almost nothing of what he writes, the way he writes. Nevertheless I find the barbaric
available implemented yesterday by the Council of the Order of Journalists.

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Animal Kingdom, by David Michod











A life that I did not go to the movies alone.

happens that I have a few hours of time. What happens is that it's Saturday afternoon, and it's early in the fourth movie multiplex damage. Going to the movies in the dark, ie without knowing anything about what is going to see is something that has always impressed me. Yes, I agree, it looks like Russian roulette, but at least, if after you take the tram, you can not take it, for once, compliant with the criticism of some so-called cinema expert who earns (evil) bread managing a section dedicated, does not matter whether on TV or in print.
And magically
the experiment has failed. Filmed by an Australian debutant
(David Michod) the film is a small gioiellino.e from the title refers to the vein of apparent incogruenza between it and the context of the story it tells. A little 'Carver as he did with his stories: Elephant, is an epiphany of family affection, and the details of the name of a game that the player was with his father as a child.

The story itself is abusatissima. Here is how to tell it which makes a cameo.
Superb editing, real backbone of the film. Never didactic, never un'indulgere free (as we have used so-called big names recently directed the world).
Animal Kingdom, is the painful journey of initiation into the life of a teenager in a Coptic family of gangsters.

The story is all in the inner conflict of this boy (played on screen by an absolute beginner to a bravura star, James Frecheville) with the world in which it comes into contact against their will, more for family relationships that real conviction.
The pace of events will take him, not without suffering, to free themselves from this dimension,
el'epilogo, though bitter, is sentenced to be nailed together in that world, but together the biblical deliverance from evil (represented here by an uncle rather malvagio),

Bella la colonna sonora, le scene, già detto, montate con intelligenza, con scorci di Melbourne molto suggestivi, zoomando su dettagli e allargando il fuoco. Fresco, ben girato, il film, cosi recitavano le didascalie sui manifesti all’entrata della sala, ha vinto il Sundance film Festival di quest’anno, ed è stato definito il miglior film crime australiano.