A life that I did not go to the movies alone.
happens that I have a few hours of time. What happens is that it's Saturday afternoon, and it's early in the fourth movie multiplex damage. Going to the movies in the dark, ie without knowing anything about what is going to see is something that has always impressed me. Yes, I agree, it looks like Russian roulette, but at least, if after you take the tram, you can not take it, for once, compliant with the criticism of some so-called cinema expert who earns (evil) bread managing a section dedicated, does not matter whether on TV or in print.
And magically
the experiment has failed. Filmed by an Australian debutant
(David Michod) the film is a small gioiellino.e from the title refers to the vein of apparent incogruenza between it and the context of the story it tells. A little 'Carver as he did with his stories: Elephant, is an epiphany of family affection, and the details of the name of a game that the player was with his father as a child.
The story itself is abusatissima. Here is how to tell it which makes a cameo.
Superb editing, real backbone of the film. Never didactic, never un'indulgere free (as we have used so-called big names recently directed the world).
Animal Kingdom, is the painful journey of initiation into the life of a teenager in a Coptic family of gangsters.
The story is all in the inner conflict of this boy (played on screen by an absolute beginner to a bravura star, James Frecheville) with the world in which it comes into contact against their will, more for family relationships that real conviction.
The pace of events will take him, not without suffering, to free themselves from this dimension,
el'epilogo, though bitter, is sentenced to be nailed together in that world, but together the biblical deliverance from evil (represented here by an uncle rather malvagio),
Bella la colonna sonora, le scene, già detto, montate con intelligenza, con scorci di Melbourne molto suggestivi, zoomando su dettagli e allargando il fuoco. Fresco, ben girato, il film, cosi recitavano le didascalie sui manifesti all’entrata della sala, ha vinto il Sundance film Festival di quest’anno, ed è stato definito il miglior film crime australiano.
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